Music
[Music] 2Pac (Tupack) – Hit ‘Em Up
Bliss your day with this amazing song by 2pac titled Hit ‘Em Up.
“Hit ‘Em Up” is a diss track by hip hop artist 2Pac, featuring the Outlawz. It is the B-side to the single “How Do U Want It”, released on June 4, 1996. The song’s lyrics contain vicious insults to several East Coast rappers, chiefly Shakur’s former friend turned rival, the Notorious B.I.G. (also referred to colloquially as Biggie Smalls). The song was recorded at Can Am Studios in 1996. There is a previous version of this song recorded in October 1995. Reporter Chuck Philips, who interviewed Shakur at Can Am, described the song as “a caustic anti–East Coast jihad in which the rapper threatens to eliminate Biggie, Puff, and a slew of Bad Boy artists and other New York acts.” The song was produced by long-time collaborator Johnny “J”. The video, itself described as infamous, includes impersonations of Biggie, Puffy and M.A.F.I.A. member Lil’ Kim.
“Hit ‘Em Up” had a large role in exacerbating the East Coast–West Coast hip hop rivalry. Following its release, the East Coast rappers insulted in the song responded through tracks of their own. The controversy surrounding the song is due in part to Shakur’s murder in a drive-by-shooting only three months after its release.
The song is widely regarded as one of the greatest diss tracks ever recorded due to its explicit lyrical content and the seriousness of violent intent expressed by Shakur and his colleagues towards their rivals.
“Hit ‘Em Up” was written and recorded at Can-Am studios in 1996. For the song, Tupac Shakur recruited the members of the former group Dramacydal whom he had worked with previously, and was eager to work with again. Together, the rappers (along with other associates) formed the original lineup of the Outlawz. The first and third verses are performed by Shakur, while the second verse is performed by Hussein Fatal, the fourth by Yaki Kadafi and the fifth by E.D.I. Mean. The bassline of the soundtrack is a sample from a song called ‘Don’t Look Any Further’, by ex-Temptation Dennis Edwards.
The ferocity of Shakur’s raging vocals, as said by long-time collaborator and producer of “Hit ‘Em Up” Johnny J, was entirely authentic.He explained that Shakur was initially fueled by his anger against Biggie and Bad Boy Records for the belief that they had a role in the November 30, 1994, ambush and attack on Shakur. He claimed that Biggie and his crew knew of his shooting and wanted him dead. Shakur used this fury, which Johnny “J” described as “superhuman”, to attack Biggie and other East Coast rappers. Johnny “J” also stated that he had never seen Shakur so angry and that the words he rapped were in no way an act, describing the recording process as the most “hard-core he had ever done.” Although he was very happy with the work he had put into it and the resulting song, Johnny “J” went on to say that he had no desire to work on anything of that magnitude again.
Shakur was also enraged by Biggie’s release of “Who Shot Ya?” provocatively only months after the shooting incident, and although it did not directly involve Shakur’s name, he believed it was directed towards him. Shakur admitted to releasing “Hit ‘Em Up” as a response to “Who Shot Ya?” In a Vibe interview, the rapper called out Sean “Puffy” Combs and Biggie Smalls and accused both of them of setting him up, or of having knowledge of the attack and not warning him. He also singled out businessmen James Rosemond (“Jimmy Henchman”), and Jacques Agnant (“Haitian Jack”) of orchestrating the assault. Shakur announced the names of his ostensible conspirators to Kevin Powell, a journalist for Vibe; however, to mask their true identities, Vibe referred to Henchman as “Booker,” and Jack as “Nigel” in the published interview. Persons familiar with the interview say they used different names after the magazine received threats from Henchman. A former Vibe editor denied receiving threats, but neglected to explain why the magazine substituted aliases for Henchman and Haitian Jack.
The lyrics in “Hit ‘Em Up” were aimed primarily at Biggie and Puffy. Shakur viciously insults Biggie throughout – the first line by Shakur is “That’s why I fucked your bitch, you fat motherfucker” – and threatens retaliation in the songs hook, saying “Who shot me?/But you punks didn’t finish/Now you’re about to feel the wrath of a menace.” He also used the song as a platform to express his belief that Biggie was guilty of stealing his style of rapping, and was merely imitating his lifestyle. This notion is addressed in the verse in “Now it’s all about Versace, you copied my style.” He also touches topically on their early friendship with the line “Biggie, remember when I used to let you sleep on the couch?” and their subsequent fallout. Towards the end of the song Tupac disses Mobb Deep, saying “Don’t one of you niggas got sickle cell or something? You fucking with me, nigga you fuck around and get a seizure or a heart attack”, referring to Prodigy, a member of Mobb Deep who suffered from sickle cell disease (and would in fact later die of complications related to the disease). Mobb Deep responded by releasing “Drop a Gem on ’em”, which was released shortly before Tupac’s death (but pulled from airplay rotation after). “Hit ‘Em Up” features much profanity, using the words “fuck” or “motherfucker” at least 35 times in the song, and was issued a Parental Advisory label.
The chorus of “Hit ‘Em Up” is a play on the chorus of Junior M.A.F.I.A’s “Player’s Anthem.” The phrase “take money” is repeated throughout the song, which is a play on Junior M.A.F.I.A’s recent release “Get Money”, the remix of which (called “Gettin’ Money”) is also the beat used in “Hit ‘Em Up”. Faith Evans, who at the time was Biggie’s estranged wife, was reportedly seen with Shakur after a public breakup with Biggie. Journalist Chuck Philips spotted Faith Evans at Can Am when he interviewed Shakur a year earlier in 1995. People at the studio told the reporter that Faith Evans also contributed – that the R&B chanteuse recorded one or more “Take Money” background vocals that would appear on “Hit Em Up.” Regarding his October 1995 interview of the rapper, Philips remembered in 2012;
“I was so unaware of the bi-coastal rap war that I suspected nothing when Faith Evans appeared with Shakur at Can Am. The estranged wife of Biggie was recording background vocals for “Wonda Why They Call U Bitch”, a song which was at the time yet to be released.”
According to Shakur she had given him gifts of clothing, which he offered as proof of a relationship in an interview. Using this against Biggie in “Hit ‘Em Up”, Shakur continued to fuel the rumors of a sexual relationship with Evans in the song’s line “You claim to be a player, but I fucked your wife.” Claims of an affair with Evans appear three times in the song.
Shakur also attacked many other people associated with Bad Boy Records and with Biggie, such as Lil’ Kim and Junior M.A.F.I.A. He exclaimed that their lifestyle and what they rapped about were fraudulent, and that they were not from the streets. He believed that they were only perpetuating the drama and did not understand the situation they were getting into. Bronx rapper Chino XL was also insulted for vulgar comments he made about Shakur on his song “Riiiot!”. In the original recording, Shakur also insulted Jay-Z at the ending segment, but removed it after being convinced by Outlawz members that Jay-Z had nothing to do with the conflict between Death Row and Bad Boy.
The music video for “Hit ‘Em Up” was filmed in a warehouse off Slauson Avenue near the Fox Hills Mall in Los Angeles on June 3, 1996. It was filmed by the production company Look Hear Productions. Shakur raps in a white room with The Outlawz, as well as in purple-caged room and a black room with bullet holes in the background. TV monitors in the background show clips of Shakur, Puffy, and Biggie Smalls, and even clips from the video “Made Niggaz.” The video featured actors who were recalled from their prior roles in the music video for “2 of Amerikaz Most Wanted” to impersonate some of those who were attacked in “Hit ‘Em Up.” This included Biggie, whose stand-in stares dully into the camera and sports a Kangol and jacket, similar to one Biggie would wear. During the moments where Shakur raps about his claimed affair with Evans, the Biggie impersonator crouches near the camera while Shakur yells in his face. Puffy is also impersonated, appearing with a high-top fade and leaning towards the camera, lowering and raising his sunglasses.
Like the song, the video for “Hit ‘Em Up” has also been called “infamous”. [failed verification][self-published source] The pro-West Coast track’s music video featured the members crushing buildings in Manhattan, which was already done in another pro-West Coast music video for “New York, New York” by Tha Dogg Pound earlier. The music video for “Hit ‘Em Up” can be found on Tupac: Live at the House of Blues DVD.
The song has been viewed as the turning point in the feud between Tupac and Biggie, where things were said and rapped which could never be taken back during the remainder of Shakur’s life. This has led to its being dubbed as the beginning of the war between the East Coast and the West Coast, and the centerpiece in what became the most venomous battle in the history of hip hop.
“Hit ‘Em Up” has been studied by and with academics, and it has been used as a part of a series of lessons for building the means to communicate with younger people. Its main role in these lessons is to define anger in rap music. Biggie was shot and killed six months after Shakur’s death.
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Some Quotable Lyrics
Sucka-ass
I ain’t got no motherfuckin’ friends
That’s why I fucked yo’ bitch, you fat motherfucka!
(Take money) West Side, Bad Boy killas
(Take money) (You know) You know who the realest is
(Take money) niggas, we bring it too
That’s a’ight, ha ha
(Take money)
First off, fuck your bitch and the clique you claim
Westside when we ride, come equipped with game
You claim to be a player, but I fucked your wife
We bust on Bad Boys, niggas fucked for life
Plus, Puffy tryna see me, weak hearts I rip
Biggie Smalls and Junior M.A.F.I.A. is some mark-ass bitches
We keep on comin’ while we runnin’ for your jewels
Steady gunnin’, keep on bustin’ at them fools, you know the rules
Lil’ Caesar, go ask your homie how I’ll leave ya
Cut your young-ass up, leave you in pieces, now be deceased
Lil’ Kim, don’t fuck around with real Gs
Quick to snatch yo’ ugly ass off the streets, so fuck peace!
I’ll let them niggas know it’s on for life
Don’t let the Westside ride tonight (Ha ha)
Bad Boy murdered on wax and killed
Fuck with me and get yo’ caps peeled, you know
Get Full Lyrics Here
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